PRESS

Sarah Michelle Gellar Attends Cruel Intentions Musical Parody Show: Details on the Cast Reunion!

us weekly logo1428777873_sarah-michelle-gellar-g
http://www.usmagazine.com/entertainment/news/sarah-michelle-gellar-attends-cruel-intentions-musical-parody-show-2015114

Cue Counting Crows’ “Colorblind” tune! Fans of the 1999 romance drama Cruel Intentions are allowed to officially freak out right about now, because Sarah Michelle Gellar just relived her Kathryn Merteuil days. The actress attended Cruel Intentions, the Unauthorized Musical Parody at L.A.’s Rockwell Table and Stage on Friday, April 10.

Gellar reunited with her costar Sean Patrick Thomas (Ronald Clifford) and writer Roger Kumble for the special event. The trio sat at the same table, and cheered on the cast, which included American Idol alum Katie Stevens (Kathryn), Jared Kusnitz (Blaine Tuttle), Constantine Rousouli (Sebastian Valmont), and Pitch Perfect’s Shelley Regner (Cecile Caldwell). The musical included some of the most iconic dialogue from the film and mixed in some epic ’90s songs.

Sarah Michelle Gellar Showed Up For Opening Night Of The Cruel Intentions Musical

big_logo

http://www.refinery29.com/2015/04/85464/sarah-michelle-gellar-cruel-intentions-musical-opening-night

Sarah looked on as the cast recreated her infamous kissing scene with Selma Blair, and of course it gave the actress a few flashbacks:

“It’s so crazy. It was such a flood of memories. I don’t necessarily think of it as me,” Sarah told People. “But then they started talking, and I could feel the words coming out of my mouth!” Run, don’t walk, to the Rockwell Table & Stage Cruel Intentions fans in Los Angeles: The musical is only showing through April.

Sarah Michelle Gellar Really Liked the Cruel Intentions Musical Parody

Jezebel Logofpljwh374hhaakicvt2f
http://jezebel.com/sarah-michelle-gellar-really-liked-the-cruel-intentions-1697232840

Last night Buffy the Vampire Slayer attended the premier performance of Cruel Intentions, the Unauthorized Musical Parody in Los Angeles. Gellar reunited with Sean Patrick Thomas and writer Roger Kumble for the performance. She seems to have enjoyed the musical adaptation of one of the greatest teen movies ever made.

“Oh it’s going down tonight #cruelintentionsthemusical #Rockwell,” she captioned the Instagram photo she shared of the script.

Sarah Michelle Gellar Steps Out for Opening Night of Cruel Intentions Musical Parody

People Magazine logosarah-michelle-gellar-800

http://www.people.com/article/sarah-michelle-gellar-cruel-intentions-musical-opening-night

Gellar was joined by the film’s original writer/director Roger Kumble and costar Sean Patrick Thomas. The group laughed, cheered and took photos from their seats, and after, Gellar rushed backstage to meet and praise her counterpart.

“It’s so crazy. It was such a flood of memories. I don’t necessarily think of it as me,” Gellar revealed. “But then they started talking, and I could feel the words coming out of my mouth!”

Neontommy review of Romeo and Juliet – Love is a Battlefield

ROMEO AND JULIET - BATTLEFIELD - 2
http://www.neontommy.com/news/2015/02/romeo-juliet-love-battlefield-offers-night-full-montagues-capulets-and-benatar

“This is the perfect event for date night, or girl’s night, or really any night. “Romeo and Juliet “remakes are not a new thing; there are a multitude of different versions, from Baz Luhrmann’s “Romeo + Juliet,” to the musical “West Side Story.” What makes “Romeo & Juliet: Love is a Battlefield” stand out from the rest is its use of Pat Benatar’s angry, empowering anthems to expose the story’s raw sensuality. The lyrics correspond with the emotion and plot of the story so well, you could swear they were originally written for the show.”

“Who knew that the classic songs of Pat Benatar and Shakespeare’s Romeo and Juliet were a match made in heaven? “Romeo & Juliet: Love is a Battlefield” finds it home at the Rockwell Table and Stage—a gem with a definite vibe—dark, cool, and chic. ” – Julia Stier.  neontommy.com

Stagescenela review of Romeo and Juliet – Love is a Battlefield

11006441_10152626564691680_8891078070876910374_n10384036_10152626550776680_4595310478291398056_n11016076_10152626556701680_3446126337943099858_n11008429_10152626556431680_9069000485434783730_n11021279_10152626551436680_8489912536824732948_n10440800_10152626550606680_4723569374610227579_nhttp://www.stagescenela.com/2015/02/romeo-juliet-love-is-a-battlefield/

“Wow! Shakespeare meets Pat Benatar (with “a little love from Tina Turner”) as Rockwell Table And Stage presents their latest, Romeo & Juliet: Love Is A Battlefield, and Holy Bard Of Avon, what an electrifying evening of cabaret-meets-musical-theater alchemy it is!”

“…and if last night’s SRO Opening Night crowd’s cheers are any indication of what’s to come, Juliet and her Romeo’s “tale of woe” will be wowing audiences through the end of March if not beyond” – Steven Stanley. StageSceneLa.com

Performingartslive review of Romeo and Juliet – Love is a Battlefield

performance arts

http://www.performingartslive.com/Events/Rockwell-Table-Stage-Romeo-Juliet-Love-is-a-Battlefield-2272015

“A sterling production not to be missed.  Shakespeare meets Pat Benetar in this awesome show that is performed cleverly utilizing a stage and the entire seating area including the bar. The directors and choreographers deserve awards for how this show is put together. The vocals are incredible and the entire cast is top shelf. This is one of our FEATURED events. GO!” – Performing Arts LIVE

Review of Romeo & Juliet: Love Is a Battlefield on EdgeMediaNetwork

Click here to read more

Continuing the tradition of combining pop songs with a modern day story, Kate Pazakis has teamed with “The Fosters” creator Bradley Bredeweg on “Romeo & Juliet: Love is a Battlefield,”the latest mash-up that combines superstar playwright Bill Shakespeare and the songs of female rocker Pat Benatar (aka the Original Kelly Clarkson).

While the modern/sort of dystopian future-style setting of the show harkens back to Baz Luhrman’s 1996 Miami film retelling, the inclusion of Benatar songs from the ’70s and ’80s certainly gives the oft-told tale a new twist. It might not be necessary to have read the play, but a familiarity with the source material will help in understanding what’s going on.

For the most part, we have the Montagues and the Capulets fighting a turf war only to have one of their own fall in love with one from the other side. Those two are, of course, Juliet (“The Fosters” Ashley Argota) and her Romeo (Rustin Cole Sailors). The two meet when Romeo and his buddies sneak into a Capulet masquerade ball and fall swiftly in love. Of course, the families don’t agree with the match and forbid it so in the “kids will be kids” mode of plot devices, they keep seeing each other in secret, ultimately leading to a tragic end.

Musical director Brad Hooks takes some rather distinctively familiar songs and gives them enough of a twist to make them stand out. Some play fairly close to the originals, but it is when the harmonies fly and the arrangements veer from the originals that the music soars. “Hell is for Children” starts out a bit standard, but builds to a powerful duet that took the audience by surprise.

Similarly, slowed down versions of “Promises in the Dark” and “Shadows of the Night” are standouts. But it is the two leads of the show that have the best material to work with and the best vocal chops to make it worth your while to check out.

With Argotta’s rich, full tone and Sailors pitch-perfect scratchy rocker-voice, they are an oddly perfect match. When they get to their duet “We Live for Love” you are sold on their romance and their talent.

Truth be told the story can be so familiar, you sort of just anticipate the next Benatar track (with two Tina Turner tracks thrown in for good measure.) A few songs feel shoe-horned in, but for the most part the combo of Shakespeare’s dialogue and power anthems work. Just be warned this isn’t a party show.

When we see our two leads dead on the stage by the show’s end, you might be reaching for your bartender to give you another drink. But Pazakis has started to create a fun anthology of shows that is both familiar and fresh. Although with summer coming, perhaps we can get a story that’s a wee bit more upbeat than drug abuse (“Jagged Little Pill”), cancer (“Roar”) and double suicide.

“Romeo & Juliet: Love is a Battlefield” continues every Friday and Saturday night through March 28 at Rockwell Table and Stage, 1714 N. Vermont Blvd. in Los Feliz. For tickets or information, call 323-669-1500 ext. 20 or visit www.rockwell-la.com.

Bicoastal Mama: Review: Romeo and Juliet: Love is a Battlefield at Rockwell  Table and Stage

When I read these words in a promo for Romeo and Juliet: Love is a Battlefield, I bought my tickets with the intention of laughing at a simply ridiculous premise turned spectacle.  I did not expect what I actually saw last night at Rockwell Table and Stage. There are so many different version of this timeless story.  I thought they all had been done.  And between the two drink minimum and the pre-show announcement that our side of the room would be the “Capulets” while the other side of the room would be the “Montagues”, I was looking for something silly; almost frivolous.

The setting is modern day.  The Capulets represent Isreal, the modern Jewish state.  The Montagues represent Palastine. The pounding pop beats of Invincible ramp up intensity as the two households (both alike in dignity) rage war on one another in a very-well choreographed fight sequence.  “Hit Me With Your Best Shot”, they scream at one another.  The fight breaks up as we see Romeo already torn with love.  As he and Juliet flirt and fall in love, they tease each other with a sexy and playful rendition of Heartbreaker that ultimately leads them to declare “We Live For Love”.  By the time that Romeo is singing “We Belong” over Juliet’s still and almost lifeless body (spoiler alert: she’s actually still alive), I am close to tears.  The show itself is surprisingly well-done.

Although I doubt it would be as huge a success without the incredible talent of the cast.  Rustin Cole Sailors is perfection as Romeo.  I would watch him do pretty much anything.  Read the phone book? Yes.  Pick his nose? Yes.  Stare off into space?  God, yes.  His voice is just wonderful and he brings a lot of powerful emotion to the stage.  Ashley Argota is maybe not quite as charismatic, but only marginally so.  She is so damn likeable!  Her voice really shines in her solo moments and I think she does a nice job conveying the confusion of a young girl being torn between love and family loyalty.

The vocal acrobatics don’t stop with these two.  All the male members of the cast have rich voices, but it is Jordan Kai Burnett as Benvolia (instead of Benvolio) and Nicci Claspell as the Nurse who really wow us.  Claspell presents a mostly outstanding version of What’s Love Got to Do with It? (Yes, they sneak in a little Tina Turner with the Benatar) and Burnett has so many moments that steal the show, it would be impossible to name just one or two or twenty.

As an ensemble, this group fully commits and gives their all to this story.  The finale, an acapella rendition of Love is a Battlefield is simply one of the most impressive musical numbers I have ever heard.  If this cast produced an album, I’d buy it in a heartbeat!

If I had anything to critique, it would be that the show itself could use more dialogue to further the story between musical numbers.  I was surprised how well the songs tell the story, but for those of us who aren’t familiar with the tale (or who have simply forgotten the details since our 10th grade AP English Lit days), some guiding dialogue would be helpful.  I would hope that a fully-staged production would include more to define the setting.  It was clear in the first scenes that the two households represented the conflict in Palestine, but little was done to further that concept throughout the show.

This was a truly enjoyable evening.  I would highly recommend it to any fan of the Bard or the Benetar!

“All the male members of the cast have rich voices, but it is Jordan Kai Burnett as Benvolia (instead of Benvolio) and Nicci Claspell as the Nurse who really wow us.  Claspell presents a mostly outstanding version of What’s Love Got to Do with It? (Yes, they sneak in a little Tina Turner with the Benatar) and Burnett has so many moments that steal the show, it would be impossible to name just one or two or twenty.”

“As an ensemble, this group fully commits and gives their all to this story.  The finale, an acapella rendition of Love is a Battlefield is simply one of the most impressive musical numbers I have ever heard.  If this cast produced an album, I’d buy it in a heartbeat!” -Bicoastal Mama

Posted by:

Related Tags:
,
,
,